Ebook The Kingdom: A Novel
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The Kingdom: A Novel
Ebook The Kingdom: A Novel
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Review
"Carrère has managed to renovate the idea of what nonfiction writing can be. Profoundly intimate, historically and philosophically serious but able to cast compulsive narrative spells, Carrère’s books are hybrids, marrying deep reporting to scholarly explorations of theology, philosophy, psychology, personal history and historiography . . . Carrère has managed to write one masterpiece after another . . ." ―Wyatt Mason, The New York Times Magazine"To open the pages of this book is to fall into a world of speculation, memoir, history, and belief and disbelief in untidy measures. . . . a masterwork that takes readers into the heart of Christianity’s first days, as well into the depths of the author’s psyche. . . . The only category it really belongs in is tour de force." ―Ilene Cooper, Booklist (starred review)"Memoir, fiction, and history combine in a stirring portrayal of the world of the first Christians . . . A passionate, digressive, empathetic history of religious rebels and the mystery of faith." ―Kirkus Reviews (starred Review)"The latest from Carrère (Limonov) is a tale of modern and ancient Christianity, filtered through a text that’s equal parts memoir, academic essay, and fictional exploration. . . . a frequently fascinating book written by a curious, sharp mind." ―Publishers Weekly"Emmanuel Carrère [is] one of the best known and most innovative French writers." ―Rachel Donadio, The New York Times"I left the Catholic Church at thirteen and have not spent much time thinking about religion since then. But Emmanuel Carrère's The Kingdom kept me pinned to its pages until the end. It is personal and rigorous, skeptical and open, casual and profound, and its speculative portrait of Saint Luke, its main character, is as compelling as any fictional life I've read lately." ―Luc Sante, author of The Other Paris"My favorite books about Christianity are Augustine's Confessions, Origen's Contra Celsum, and, now, Emmanuel Carrère's The Kingdom. Both a pocket history and a gripping (and surprising!) intellectual self-portrait, I know of nothing else quite like it ―and I wish like all hell I'd written it. Carrère is one of our planet's most compelling, inimitable writers, and The Kingdom is, in my view, his greatest book yet." ―Tom Bissell, author of Apostle: Travels Among the Tombs of the Twelve
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About the Author
Emmanuel Carrère, born in Paris in 1957, is a writer, scriptwriter, and film producer. He is the award-winning, internationally renowned author of Limonov, The Mustache, Class Trip, The Adversary (a New York Times Notable Book), My Life as a Russian Novel, and Lives Other Than My Own, which was awarded the Globe de Cristal for Best Novel in 2010. For Limonov, Carrère received the Prix Renaudot and the Prix des Prix in 2011 and the Europese Literatuurprijs in 2013. John Lambert has translated Monsieur, Reticence, and Self-Portrait Abroad by Jean-Philippe Toussaint, as well as Emmanuel Carrère’s Limonov. He lives in Nantes with his wife and three children.
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Product details
Paperback: 400 pages
Publisher: Picador; Reprint edition (March 6, 2018)
Language: English
ISBN-10: 9781250159441
ISBN-13: 978-1250159441
ASIN: 125015944X
Product Dimensions:
5.9 x 0.7 x 8.1 inches
Shipping Weight: 12.5 ounces (View shipping rates and policies)
Average Customer Review:
4.4 out of 5 stars
34 customer reviews
Amazon Best Sellers Rank:
#198,607 in Books (See Top 100 in Books)
The original is in French, and this translation (or, if you prefer Douglas Hofstadter's usage, "interpretation") is exceptionally well done. I say there is no violence, but that's not entirely true given that its central narrative frames are the Gospels of Paul and Luke, which of course have their references to crucifixion. It's an odd book to describe. Carrere is a well known and successful writer of many forms- he authored a biography of Philip K Dick, several novels, and screenplays for television and film, but this book is more memoir and historiography. About one half (the first) is primarily his recounting a period in his life when, for a couple years, he was a religious zealot captivated and entranced by Catholicism and the New Testament. The second half of the book is his discussing his postulated version of the history of Saul/Paul and Luke, their travels together, early Church politics and history. Although Carrere eventually abandons his belief in God or gods (or, as he puts it, loses his faith) he remains respectful of persons of faith, and is undoubtedly an admirer of both Paul and Luke (especially Luke, who it becomes clear the author identifies with on a personal level that is interesting to read about.)
This is a fascinating sandwich of a book. By which I mean that there are slices of the author’s life and slices of his (well-informed) view of the lives of the evangelist Luke and the apostle Paul, as well as some other more minor characters in the drama of the origins of Christianity.The first slice of autobiography is rather thick, about 75 pages, but we find that he went through an earlier period of intense Christian religiosity, followed by a gradual progression to agnosticism (which perhaps is the correct term—Carrère is not very specific about his current world view). Thus, he does not come at the book’s subject from ignorance, but from years of absorption in it. Later slices of autobiography describe what is going on in his life as he writes the book. Readers (including me) who are more interested in the subject of Christian origins than in the author’s life might become rather impatient with these parts of the sandwich, but Carrère uses them in an inventive way by playing his personal experiences off the characters of Luke and Paul in order to bring them more to life than we usually see them portrayed. He almost writes as though the screenwriter and director in him is producing a film in which he tags along with the two ancients, experiencing the Mediterranean world of the first century CE at first hand.The publisher’s blurb calls the book “a sweeping fictional account of the early Christians,†but it is only fictional in the sense that Carrère fills the gaps in what the historical record tells us about his two characters and the world they lived in with some speculation. However, his surmises are quite credible to this reader, as are his considerable deviations from the conventional tellings of the “greatest story ever told†that one can still hear today from most persons of the cloth and even from many pedigreed scholars of Christian history. Those who are convinced of these widely-believed pieties may be shocked by the book, but it is one that any open-mined person will learn much from.
Emmanuel Carrere's journey is one that has been followed by many thousands of fellow seekers over the centuries. He underwent an intense period of religious fervor nearly thirty years ago which gradually subsided into an uneasy agnosticism: while he rejects what he views as ridiculous about organized religion, he still feels a hunger for faith. His history/memoir The Kingdom is a similarly uneasy combination of history and memoir, combined with fictional reconstructions of the early days of Christianity. This is a subject that has long fascinated me as well, and thus I enjoyed his chronicle of his own, very personal, journey.The Kingdom includes long segments of Carrere's own story as he drifts into and then back out of religious faith. Some of his biographical details can be jarring: I did not care for his lengthy discussion of his interest in and experience with internet pornography, for example. But all of it, including the porn, is connected in some form to his religious quest. The most interesting sections of The Kingdom are those in which Carrere uses fiction to relate the story of the development of early Christianity, particularly discussing the careers of the Apostles Paul and Luke. I enjoyed the human touches he employed, including his imaginings of Luke's journeys to meet and interview people like Zaccheus who spoke with Jesus.People who have already studied the early history of Christianity will not see a lot of new material in The Kingdom, but what is fresh is Carrere's personal story. His Epilogue is particularly interesting as a bridge between late first century Christians and early twenty-first century believers and agnostics.
Carrere is a talented author. This book is beautifully written. It is both a memoir, and a historical research in the beginnings of Christianity. I learned a lot, and enjoyed reading about the first followers of Jesus and the Hellenistic world where it all happened.
Interesting combination of rather discursive personal reflection and autobiography, combined with creative speculations about the figures in very early Christianity. I wondered at times exactly what kind of book this was, parts of which are like a personal diary filled with neurotic self-absorption. However, the actual writing is beautiful and lively, and the thoughts about the very early Christians originate from a mind practiced in history as well as Christian theology. Not for everyone, but clever and satisfying in parts.
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